Digital Signage Expo (DSE), the world's largest and longest running International Tradeshow and Conference dedicated to digital signage, interactive technology and digital out-of-home networks (DOOH), was just named one of Trade Show Executive Magazine's 2011 Fastest 50.
This award recognizes the fifty fastest-growing trade shows in North America based on total net square footage of exhibit space, number of exhibitors and attendance growth between 2010 and 2011. DSE was a previous winner of the Fastest 50 award in 2007 and 2009 when the now defunct TradeShow Week magazine was sponsoring this awards program.
By winning in 2011, DSE is now a 3-time winner of this prestigious award.
Nortek, Inc. (Nasdaq: NTK), a global diversified company with leading brands and innovative, technology-driven products and solutions for residential and commercial applications, today announced the formation of Core Brands, a new group that combines the product and marketing strengths of 10 of the company's formerly independent audio, power management and control brands operating within its Technology Solutions segment.
Including Nortek's Aton®, BlueBOLT®, Elan®, Furman®, Niles®, Panamax®, Proficient®, SpeakerCraft®, Sunfire® and Xantech® brands, Core Brands has more than 190 years of combined experience in the residential, commercial and professional markets and over 4,300 direct customer accounts in multiple distribution channels in the U.S. and worldwide.
Sony plans to introduce a super-sized 84-inch LCD television during IFA 2012, Europe's major consumer electronics show, a source told CNET.
The source, who spoke on condition of anonymity, confirmed to CNET that the upcoming 84-inch TV can display a massive 3,840x2,160 resolution (four times the number of pixels in a conventional 1080p set), also known in the industry as 4K. We learned that the 84-inch Sony TV features a side-lit LCD panel (think thin) and removable speakers. In terms of design, our source describes the aesthetics as a reimagined retro-style appearance with a modern twist.
Ever-narrower bezels that allow banks of displays to be perceived as a single screen are increasing the popularity of video walls in major digital signage sectors such as retail and transportation, according to new research.
A report from Futuresource Consulting forecasts that 380,000 video walls will be installed this year, up 60 percent on 2011’s shipments.
“Recent innovations have breathed new life into this comparatively mature industry,” said Parmjit Bhangal, a market analyst with the firm. “Since 2009, LED backlight solutions have been integrated into rear projection displays, negating the costs of bulb replacement and maintenance.
“However, LCD super-narrow-bezel displays have been the real game-changer, finally offering a viable alternative to rear projection devices and plasma screens, allowing vendors to drive new revenue streams from new markets, most notably retail and public display, as well as defending their positions in video-based verticals.”
That super-narrow-bezel (SNB) category accounted for more than 80 percent of the total video wall market last year, Bhangal added.
To better serve the growing global theatrical, television, video game, and mobile 3D marketplace and professional community, the International 3D Society (I3DS) and the 3D@Home Consortium today announced plans to merge operations and activities. With members in 20 countries and chapters in China, Japan, Korea, Europe, the UK and North America, the new organization will be known as the International 3D Society & 3D@Home. The Merger was ratified by both organizations' leadership and is effective immediately.
"This newly formed organization will serve to spearhead the growth and expansion of the 3D entertainment industry across the entire ecosystem - from content conception and development, to consumer education and adoption," said Tom Cosgrove, Co-Chair of I3DS & 3D@Home and President and CEO of 3net. "Across all platforms where 3D is expanding, everywhere consumers are consuming 3D content, and in any way the 3D format is being utilized, our organization is there to support our members and advance the growth of this prolific medium."
Between my wife and me, we have three AppleTV’s, two iPhones, two iPads, a MacBook Pro and two Windows laptops. One of the single best features we use on the Apple devices is AirPlay. Sure, the AppleTV can stream virtually anything that’s already in the iCloud or in a known location on the network, but all too often, I have friends over and have something on my iPhone/iPad that I want to show them. Rather than copying it somewhere, passing the device around the room, or have several people hunching over it, I simply turn on my 50-inch plasma and stream it to the TV using AirPlay and the AppleTV. Sure, if it’s something on YouTube, I could search on the AppleTV, but frankly, I’d rather go to the dentist than use those infernal on-screen keyboards.
At one of my consulting clients, we recently equip all the meeting rooms with Sharp 80-inch screens, MacMini’s (with Bootcamp, so they can run Windows too) and AppleTV’s. Anyone sporting an iDevice or a recent Mac with Mountain Lion can stream to the TV.
When it comes to content on my PC it’s a whole other, very sorry, story. One of my laptops is a fairly new Core i7 model, and supports Intel’s WiDi. At last count, there were two devices available that would connect to a TV and neither had other compelling features. There are several proprietary solutions on the market for streaming wireless HDMI, but I don’t need any more set-top boxes, especially ones that won’t work with my friend’s devices. The Apple eco system, makes it all so simple: when my iFriends come over, anyone can throw up anything on the big screen. For my Droid/WM buddies, it’s a can of mal-connected worms.
The Wi-Fi Alliance has a plan to address this (WiDi RIP).
Wi-Fi Direct enables peer-to-peer connections between Wi-Fi devices and Miracast (Wi-Fi Display) supports display of video content from consumer electronics and mobile devices. According to ABI Research, by 2014, 66% of consumer electronics devices are expected to support Wi-Fi Direct and the majority of these will be Miracast certified too.
Major chipmakers, such as Nvidia, Texas Instruments, Marvell and Broadcom are all on board. Let’s hope Intel recognize that the writing’s on the wall for WiDi and support the open effort too.
There have been a lot of reports of Apple negotiating content deals with the major networks and the possibility of a la carte available via the iTunes store. According to the Wall St Journal, current discussions are centered on Apple producing a fully fledge set top box.
TiVo Inc. currently dominates this sector of the market, but has a miniscule installed base compared to users who are happy to rent a DVR form their cable provider for $10-15 a month. For those looking for a solution outside of their cable operator’s offering, an Apple-based device would be an attractive proposition if it provided the functionality of the current AppleTV. Such a device would allow users to get virtually all of their Cable and OTT content on a single device (and presumably stream wirelessly around the house). The device would also give TiVo a run for their money, especially fi there were no subscription fees on an Apple-branded device.
It seems a day doesn’t go by without the announcement of a new music or video streaming service. Of course, many of them never get off the ground, but new developments among the heavy hitters are about to make things interesting.
Netflix has returned to profit—albeit at a lower figure than last year; however, this can be partially attributed to expenses it has incurred expanding into non-US markets and creating its own Content Delivery Network (CDN). No doubt, the loss of subscribers after its recent price hike is still hurting the bottom line, but subscribers are growing. Besides alienation a large percentage of its customers, Netflix now faces several real and present dangers: RedBox, HuluPlus and Amazon.
RedBox has begun alpha testing of its RedBox Instant streaming service with its partner, Verizon. Partnering with Verizon may help in the short term, but will cap growth unless subscription is extended to the general population.
Two weeks ago, the Amazon Instant Video app was released on the iTunes App Store. With thousands of titles available from Prime Instant Video at no additional cost with an Amazon Prime membership, Amazon’s instant video service is gaining ground rapidly. Recent exclusive content deals (The fringe and West Wing) will also hurt Netflix who seem to be plagued by stale content.
Last, but by no means least, HuluPlus is now available on AppleTV. One day Apple will wake up and realize the AppleTV could be as successful as the iPod and iPhone. Last quarter’s sales topped out at 1.4m and the current installed based is now estimated at about 6.3m. That’s a lot of potential HuluPlus subscribers. (Since HuluPlus appeared on the AppleTV, I signed up. Prior to this, I never found what I consider to be a usable interface on my many streaming-capable devices.)
I predict stormy waters ahead for Netflix; better dig out the lifejackets!
Many of us—knowingly or not—have seen large scale projection walls with pretty good mapping and edge blending, Not many of us have seen as setup with 44 projectors, having a combined brightness of 840,000 lumens and covering a surface 600ft wide x 351ft high.
This impressive display was put together by Obscura Digital to celebrate the United Arab Emirates National Day.
If, as an AV professional, you still scratch your head from time to time wondering why InfoComm and the InfoComm Board spend so much time and resources on things like standards, industry innovations, and ANSI-accreditation of the Certified Technology Specialist program (or even if you don’t), I’d like you to meet Kate Berry. We talk a lot about the AV industry having a more prominent seat at more prominent tables. Kate is the type of person AV professionals can expect to meet when they commit themselves to standards and raising the overall profile of the industry.
Recently, Kate joined InfoComm officials on a trip to the University of Central Florida’s new high-tech College of Medicine to check out the school’s AV and IT systems. She is CEO of the National eHealth Collaborative (NeHC). And her organization is joining InfoComm in launching a first-of-its-kind conference on the intersection of AV and IT technology in the healthcare market. Full Interview here:
AAA recently updated its diamond rating system for North American hotels — and included digital signage as part of its rating evaluations. The organization revamped its "Approval Requirements & Diamond Rating Guidelines" for lodgings, the blueprint for assigning ratings of one to five AAA Diamonds following successful on-site inspections at more than 30,000 hotels throughout North America.
Digital signage and self-service kiosks, and how they contribute to hotel atmosphere and services, were among the considerations noted in the inspections, AAA said.
"Traveler expectations and travel industry capabilities continue to evolve," AAA tourism information development director Michael Petrone said in the announcement. The new guidelines address changes that have occurred since the last update in 2007. With input from AAA's full-time hotel inspectors, AAA members and industry professionals, the updated guidelines reflect current AAA member expectations and travel trends.
According to DisplaySearch, manufacturing costs for 55” OLED panels are 8-10 times higher than LCD.
LG, who employ WRGB OLED on an IGZO substrate, will be able to do so for eight times the cost of a comparative LCD. Samsung, will be looking at a cost of ten times LCD for their direct-emission OLED. Although, Samsung can produce OLED at a 30% premium in small sizes (e.g. for phones and tablets), producing large panels still has comparatively lower yields and higher material costs. It will be interesting to see if Samsumg will be able to recoup that additional 25% at retail.
With such a huge manufacturing differential, it’s hard to imagine that we’ll be seeing 55” OLED’s in stores for $10,000 before the end of 2012.
A profit warning from Sony and a massive loss forecast from Sharp have highlighted the depth of the problems facing Japan's consumer electronics industry, beset by an expensive yen and evaporating competitiveness in televisions.
Sony, which is coming off a Y457bn ($5.8bn) net loss for fiscal 2011, on Thursday said that a promised rebound this year would be smaller than it initially expected.
Sharp, meanwhile, widened its full-year net loss forecast more than eightfold, to Y250bn from the Y30bn it predicted in May, and said that it planned to eliminate 5,000 jobs -- its first workforce reduction since 1950.
Japanese tech groups such as Sony and Sharp had invested heavily in production facilities for liquid crystal TV displays, only to find themselves unable to compete as prices for flatscreen sets plunged. The yen's 50 per cent rise against the currencies of Japan's trading partners since mid-2008 has made them that much more vulnerable to cheaper Taiwanese and South Korean producers.
I’m a cord cutter, so I can relate to this. I don’t miss my $100+ per month cable bill and with prices set to hit $200+ per month by 2020, I don’t think I’ll ever go back. In a recent survey by deal aggregator TechBargains.com, 33% of the 1604 respondents have already cut the cord and said they would never return at any price.
The survey also found that 29% of respondents are cord cutters, with 83% of those stating that subscription is too expensive. The remaining 17% primarily cited content being limited in quality and variety. At 74%, Netflix is the leading streaming content provider, beating YouTube by 13%
I cut the cord a few years ago. It was a bit of a learning curve getting everything setup and there’s some upfront investment required, but it’s getting easier every day. Hulu’s recent support for the AppleTV is just another stepping stone to cord cutting nirvana.
Cable companies are not sitting on their laurels. Most are now offering multi-room systems, home automation, cloud-based energy management and several hundred megabit download speeds to try and retain subscribers.
The global market for public displays remains strong, but in recent quarters, flat panel display manufacturers have emphasized revenue and profit over volume, thus lowering the overall unit shipment outlook for this category.
As production of plasma displays continues to wind down, LCD-based commercial displays have yet to fully fill the void, according to the recently released NPD DisplaySearch Quarterly FPD Public Display Shipment and Forecast Report.
With reduced production of plasma, the public display market fell 13 percent year to year; however, LCD public display shipments were up 23 percent year to year, according to the report.
Forecasts still show strong growth, with the market set to push near 12 million units sold in 2018, an increase from just under 3 million units in 2011. Growth will be driven by new applications for public displays such as digital signage, interactive white boards, video walls, electronic menu boards, as well as the global trend toward urbanization in developing countries seen most visibly in China.
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